Long lines, black shirts with effigies of demons, lots of leather and long hair, and a great expectation to see fifty percent of the so-called "The Big 4" , along with Metallica and Anthrax. Slayer and Megadeth displayed their mighty 'Heavy Metal' in a limited-time concert rather knew little.

With a small change in the expected script, the long blond hair of the provocative singer of Megadeth, Dave Mustaine, recovered from her fainting in Russia a fortnight ago, jumped to a two-masted guitar on stage after Angelus Stateless Albacete, although the band said an encouraging start but knew little trace as they fell, one by one, the issues of the repertoire.

Accompanied by a very dynamic musicians whose guitar began to roar too low, the Californian band seemed to be disoriented in the first exchange. Poor and less powerful sound than would be expected for a group that showed decline dyes sometimes but that merely listening to their great classics and worth to be present.

Echoed the old familiar 'She Wolf', 'Peace Sells' and 'Holy wars' to fall sooner than expected 'Hangar 18' that linked always chanted "Tout le monde 'and a worn but not least expected' Symphony of destruction ', with which they parted.

There was no time for. Ridiculous time performance which simply shred a shortened version of his greatest hits belonging to his extensive repertoire. Neither more nor less. Part of the job to act in concert together in a room that was rather small for a band of this nature.

Heady, mind-blowing and aggressive were Slayer, as startling and hypnotic performance was a constant discharge of adrenaline. Direct Sorprenente. Metal end with conviction. Violent and sweeping, while stop, unable to breathe, the 'fathers of the genre' exploited the intensity of some of his classics such as 'Raining Blood', 'South of Heaven', 'Seasons in the abyss' that hell itself staged .

Not lacking 'World painted blood', his last studio album, and of course 'Angel of Death', with lyrics inspired by the experiments of Nazi doctor Josef Mengele, to wrap up the concert. Their sound nervous and chaotic guitar Espido powerful a devoted audience fascinated that he kept moving the neck to the rhythm of a series of thunderous songs that ran through the veins filled with emotion.

Slayer spent as a real steamroller without rest or respite with his controversial lyrics about God, war, death and devastation in the service of a dizzying music pounding double bass seasoned with extreme speed. And that was just a sip of his potential.